Susan Norrie
Transit 2011

26 September - 25 October 2014

Two Rooms presents for the first time a moving image installation by the Australian artist Susan Norrie. Originally exhibited at the 2011 Yokohama Triennale, it is an investigative work into the activities of the Japanese Aerospace Agency and the volcano Sakurajima. Both represent metaphorically the possibility of future changes for the environment and humanity. As in the case of Norrie’s previous work HAVOC (2007), this artistic project is also the outcome of a long and complex research period during which the artist collaborated with experts, technicians, journalists and camera operators.

“Since 2004, I have been working on projects in conjunction with the Japanese Aerospace Agency (JAXA), a space centre that has been in operation since the 1960s. Based on the island of Tanegashima – located in southern Japan where the East China Sea and the Pacific Ocean merge – the space centre is adjacent to the active volcano Sakurajima which lies at the tip of Osumi Peninsula. The volcano too was once an island but after an eruption in 1914, it is now connected to the mainland. After witnessing the oil/gas drilling incident in Porong, East Java (the focus of my video installation HAVOC, presented at the Venice Biennale in 2007), I imagined that a sense of humanity would begin to inform resource exploration and technology – especially in the wake of catastrophic consequences – and, in turn, address issues of exploitation and the precarious balance between the increased demand for natural resources and the plight of indigenous peoples in areas of excavation. Recent satellites launched from Tanegashima have been specifically designed to monitor world weather patterns, environmental disasters (man-made and natural), greenhouse gases, security networks, defense systems and other communication satellites. Working in collaboration with Japanese specialists, my projects – in light of the recent environmental and humanitarian disasters – suggest there are many indicators and forewarnings that should be changing the ways we think about the world. Strangely and almost daily, the supernatural, elemental forces of nature seem to be demanding this seismic shift from humans.”

Susan Norrie, April 2011