Ann Shelton
pigment print
1170 x 890 mm framed
Edition 6 + 2 AP
pigment print
1170 x 890 mm framed
Edition 6 + 2 AP
1119 x 840 mm
pigment print
Edition 6 + 2 AP
pigment print
1170 x 890 mm framed
Edition 6 + 2 AP
flash dance (red rose) 2021
pigment print
1170 x 890 mm framed
Edition 6 + 2 AP
pigment print
1170 x 890 mm framed
Edition 6 + 2 AP
pigment print
1170 x 890 mm framed
Edition 6 + 2 AP
pigment print
1170 x 890 mm framed
Edition 6 + 2 AP
From the Series jane says 2015 ongoing
pigment print
edition 3 of 6
1120 x 837 mm unframed
From the Series jane says 2015 ongoing
pigment print
edition 4 of 6
1120 x 837 mm unframed
From the series jane says 2015 ongoing
Pigment Print,
1119mm x 840mm.
edition 4 of 6
From the Series jane says 2015 ongoing
Pigment Print,
1119mm x 840mm
edition 3 of 6
From the Series jane says 2015 ongoing
pigment print
edition 3 of 6
1120 x 837 mm unframed
from the series jane says 2015
pigment print
edition 1 of 6
1120 x 837 mm unframed
The Floozy, Ginger (Zingiber sp.), 2015
from the series jane says – ongoing
pigment print
1120 x 837 mm unframed
edition 5 of 6
from the series jane says 2015 ongoing
pigment print, 1119mm x 840mm
edition 4 of 6
from the series jane says 2015 ongoing
pigment print
edition 1 of 6
archival pigment print
1160 x 880mm
edition of 6
archival pigment print
1160 x 880mm
edition of 6
archival pigment print
1160 x 880mm
edition of 6
archival pigment print
1160 x 880mm
edition of 6
archival pigment print
1160 x 880mm
edition of 6
archival pigment print
1160 x 880mm
edition of 6
archival pigment print
1160 x 880mm
edition of 6
archival pigment print
1160 x 880mm
edition of 6
Pigment print, 1535 x 1115 mm,
C type print
840 x 1190 mm
from the series room room
C type print
840 x 1190 mm
from the series room room
C type print
840 x 1190 mm
from the series room room
C type print
840 x 1190 mm
from the series room room
Espai d’art contemporani de Castelló, Spain, 2014.
Diptych, C-type prints
1.2 x 1.5m each.
From the series, in a forest
Diptych, C-type prints
1.2 x 1.5m each.
From the series, in a forest
Diptych, C-type prints
1.2 x 1.5m each.
From the series, in a forest
Diptych, C-type prints
1.2 x 1.5m each.
From the series, in a forest
from the series a ride in the darkness / wastelands
Diptych, C type prints,
720 x 900 and 1214 x 1520 mm each.
from the series a ride in the darkness / wastelands
Diptych, C type prints,
720 x 900 and 1214 x 1520 mm each.
from the series a ride in the darkness / wastelands
Diptych, C-type or colour pigment photographs
720 x 900 and 1214 x 1520 mm each.
Diptych, C type prints,
1214 x 1520 mm each.
diptych, C-type photographs, 720 x 900mm each
Diptych, C-type prints,
720 x 900 and 1214 x 1520 mm each
diptych, colour pigment photographs, 720 x 900mm each
Diptych, C type prints,
720 x 900 and 1214 x 1520 mm each
Diptych c-print,
1500 x 932 x 33 mm
Diptych, C type prints,
720 x 900 and 1200 x 1500 mm each,
Diptych, C type prints, 720 x 900 and 1200 x 1500 mm each.
Diptych, C type prints, 720 x 900 and 1200 x 1500 mm each.
Diptych, C type prints, 720 x 900 and 1200 x 1500 mm each.
Diptych C type prints,
720 x 900 and 1200 x 1500 mm each
From the series a kind of sleep
Diptych, C type prints, 145 x 115 cm each, framed.
Ann Shelton (b. Timaru, Aotearoa New Zealand) is recognised as one of New Zealand’s leading photographic artists. Shelton completed a Master of Fine Arts from the University of British Columbia (2001), Vancouver and a Bachelor of Fine Arts (1995) from Elam School of Fine Arts, Auckland University. She is currently Associate Professor in Photography at Whiti o Rehua School of Art, Wellington. Her most recent research engages with plant narratives and histories, in particular the intersection of botanical histories and human knowledge systems. Shelton is interested in how through art, the perceived power play between plants and humans can be redefined and modified. In 2016 Auckland Art Gallery Toi o Tāmaki developed the major mid-career survey exhibition Dark Matter: Ann Shelton curated by Zara Stanhope, which toured to Christchurch Art Gallery Te Puna o Waiwhetū in 2017.
Recent exhibitions include an invitation to dance, Two Rooms Gallery, Auckland, New Zealand (2022), the missionaries, Aigantighe Art Gallery, Timaru, New Zealand (2021), jane says, Denny Dimin Gallery, New York (2019), Invisible Traces, Espai d’Art Contemporani de Castelló, Spain curated by Mercedes Vicente (2014), in a forest (excerpts), The Australian Center for Photography, Sydney, Australia (2012) Dark Sky at The Adam Art Gallery, Wellington curated by Geoffery Batchen and Tina Barton (2012), Images Recalled (Bilder auf Abruf) Germany, Tobias Berger and Esther Ruelfs (2009), a way of calling at Linden Centre for Contemporary Arts, Melbourne curated by Melissa Keys.