Gretchen Albrecht (b. Tāmaki Makaurau Auckland, Aotearoa New Zealand) is one of this country’s preeminent abstract painters and her chromatic mastery is readily apparent in every work. Albrecht’s paintings combine formal, historical and ephemeral qualities, her sensuous colour palette and stained canvases acting as a generous counterpoint for rhythmic patterns of gestural movement, form and scale. The tactile quality of the work resonates strongly with Albrecht’s allusions to an inward sense of order engaged in a perpetually dynamic relationship with the underlying rhythms of a natural, mythological cosmos.
Albrecht has exhibited extensively in Aotearoa New Zealand and internationally for over five decades. Her work is held in major Aotearoa New Zealand and Australian public collections, including the Museum of New Zealand Te Papa Tongarewa; Auckland Art Gallery Toi o Tāmaki; Art Gallery of New South Wales, Sydney; Waikato Museum; the University of Auckland; and Victoria University of Wellington. In 2000 Albrecht was appointed a Companion of the New Zealand Order of Merit for services to painting. In 2002 Auckland Art Gallery Toi o Tāmaki mounted the large-scale exhibition, Gretchen Albrecht: Illuminations, a 23-year survey of her hemispheres and ovals. She is the subject of several major publications, including, most recently, her monograph Between Gesture and Geometry, by Luke Smythe (2019) and reprinted 2023; and Colloquy: Three Essays, edited by James Ross with essays by Colm Tóibín, Linda Gill and Mary Kisler (2015). In November 2024 Te Uru Waitākere Contemporary Gallery will present Liquid States, a major survey exhibition examining works produced by Albrecht in the 1970s and 80s.