UNDER CONTROL Gretchen Albrecht Renee Cosgrave Fu-On Chung Rohan Hartley Mills Lauren Winstone
9 February - 10 March 2018
For
the viewer the eye goes where the paint goes, and when movement
appears continuous, when ribbons and strokes of colour loop around,
so too does the responsive eye. The paintings in this exhibition
share similar elements – a system, an order, a set of rules – but
their modality hinges on the crucial relationships between painted
line and colour, with the boundary of the stretcher/object acting as
a measure between balance, freedom and the limitlessness of paint.
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Fu-On Chung–Ghost Maps, 2016 acrylic & oil on linen
350 x 300 mm
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Fu-On Chung–Trampled by the Blimp Brigade, 2015 acrylic & oil on linen
1500 x 1400 mm
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Fu-On Chung–The Fortress of the Comeback King, 2015 acrylic & oil on linen
1500 x 1400 mm
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Gretchen Albrecht–Pink Cloud Over Landscape, 1972 acrylic on canvas
1450 x 880 mm
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Gretchen Albrecht–Quartet, 2017 acrylic and oil on canvas
1880 x 1220 mm
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Renee Cosgrave–Lines, Transparent Colours (Colour Chart), 2016 oil on linen
1220 x 915 mm
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Renee Cosgrave–Lines (Transparent Colours), 2016 oil on linen
1220 x 915 mm
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Renee Cosgrave–Oketopa Noema, 2014 oil on linen
515 x 410 mm
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Renee Cosgrave–Untitled, 2017 oil on linen
610 x 410 mm
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Rohan Hartley Mills–Last Painting for 2017, 2017 oil on canvas
350 x 305 mm
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Rohan Hartley Mills–Golden Lifestyle Painting, 2017 oil on canvas
455 x 700 mm diptych
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Rohan Hartley Mills
One Way Ticket, 2016 oil on canvas
340 x 420 mm
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Rohan Hartley Mills Tobacco Pink Painting, 2014 oil on canvas
445 x 365 mm
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Rohan Hartley Mills
Straight to Video, 2017 oil on canvas
555 x 450
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Rohan Hartley Mills
Harmony in Neo-Politan, 2017 oil on canvas
880 x 615 mm
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Lauren Winstone–Striped Lidded Box, 2008 stoneware
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Lauren Winstone–Leanings, 2016 stoneware
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Lauren Winstone–Leanings, 2008 Stoneware
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