Susan Norrie

Transit 2011

26 September - 25 October 2014

Production credits
Concept/Edit: Susan Norrie
Camera: Rodo Izumiyama
Journalist: Yoichi Teraishi
Camera assistant/Interpreter: Kumpei Miyata
Translating: David McIntyre, Rodo Izumiyama
Editing: Wayne Love
Interview with: Yoshimaru Higa
Video projection 14:35 min

Two Rooms presents for the first time a moving image installation by the Australian artist Susan Norrie. Originally exhibited at the 2011 Yokohama Triennale, it is an investigative work into the activities of the Japanese Aerospace Agency and the volcano Sakurajima. Both represent metaphorically the possibility of future changes for the environment and humanity. As in the case of Norrie’s previous work HAVOC (2007), this artistic project is also the outcome of a long and complex research period during which the artist collaborated with experts, technicians, journalists and camera operators.
“Since 2004, I have been working on projects in conjunction with the Japanese Aerospace Agency (JAXA), a space centre that has been in operation since the 1960s. Based on the island of Tanegashima – located in southern Japan where the East China Sea and the Pacific Ocean merge – the space centre is adjacent to the active volcano Sakurajima which lies at the tip of Osumi Peninsula. The volcano too was once an island but after an eruption in 1914, it is now connected to the mainland.
After witnessing the oil/gas drilling incident in Porong, East Java (the focus of my video installation HAVOC, presented at the Venice Biennale in 2007), I imagined that a sense of humanity would begin to inform resource exploration and technology – especially in the wake of catastrophic consequences – and, in turn, address issues of exploitation and the precarious balance between the increased demand for natural resources and the plight of indigenous peoples in areas of excavation.
Recent satellites launched from Tanegashima have been specifically designed to monitor world weather patterns, environmental disasters (man-made and natural), greenhouse gases, security networks, defense systems and other communication satellites. Working in collaboration with Japanese specialists, my projects – in light of the recent environmental and humanitarian disasters – suggest there are many indicators and forewarnings that should be changing the ways we think about the world. Strangely and almost daily, the supernatural,elemental forces of nature seem to be demanding this seismic shift from humans.”
Susan Norrie, April 2011

Susan Norrie is a Sydney-based artist. She works across media including video, photography and painting. Her recent projects have focused on intercultural issues. Norrie was one of three artists representing Australia at the 52nd Venice Biennale, 2007. In the last 20 years she has developed a practice that sees and uses art as a tool for political commentary. The Asia Pacific has been her focus, incorporating the environmental and humanitarian disasters that have impacted on the region. Norrie’s videos are predominantly metaphoric, combining art, documentary and film.

Norrie has exhibited many times in New Zealand art museums and galleries. In 1993 she presented a site specific installation Room For Error at City Gallery, Wellington. In 2000 she participated in SCAPE Biennal of Art in Public Spaces, Christchurch. Her seminal work UNDERTOW(2002) was exhibited at the Gus Fisher Gallery, Auckland in 2004. Norrie was invited to participate in the exhibition Among the Machines at the Dunedin Public Art Gallery in 2013.

Norrie has exhibited at the Solomon,R Guggenheim Museum, New York; Tate Modern, Liverpool,UK; KIASMA, Museum of Contemporary Art, Helsinki; Art Tower Mito Museum, Japan; MARCO, Museum of Contemporary Art, Spain; ICC, Tokyo; ZKM, Karlsruhe, Germany; Neur Kunstverein, Berlin; Nationgalerie un Hamburger Banhof, Berlin; Het Muziekgebouw, Amsterdam; Futura,Centre for Contemporary Art, Prague; Cinema Capacete 1V, Rio de Janeiro; Edinburgh International Festival, Scotland; Biennale of Sydney 2004; and Melbourne International Biennial, Melbourne; Liverpool Biennial, UK; National Museum of Wales, Cardiff, Wales; Museum of Contemporary Art, San Diego, USA; and Yokohama Triennale,Japan 2011; 52nd Venice Biennale 2007; 19th Biennale of Sydney 2014.