Nichola Shanley’s new ceramic artworks appear as the remains of something consumed by fire and reborn as something not of the present but as relics. As a phoenix rising from the ashes, The Agnes Dei Collection materializes as an assembly of blackened figures blessed with a golden lustre. Once the ‘Body of Christ ‘in liturgical texts or uttered at the fraction rite in the Catholic mass, it is now the eucharistic species of bread, broken and added to the golden chalice or vessel. Shanley has presented her figures on long metal trestles as offerings on an altar, a thin ribbon of waxed metal river running towards two shroud-like silk paintings, flanked by ancestral heads mounted on the wall; this marriage of myth and Western religion inducing the phenomenon of transformation.
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Pointing in a manner well practiced manner, 2024 Porcelain, hand-sewn lamp shade with hand painted silk fabric
200 mm h x 170 mm w
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Diagram of light, 2024 Porcelain, gold lustre, hand-sewn lamp shade with hand painted
silk fabric
540 mm h x 180 mm w
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Empty bookshelves in the sunlight, 2024 Porcelain & gold lustre
570 mm h x 180 mm w
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I wish I was not from a tree, 2024 Porcelain, gold lustre, hand-sewn lamp shade with hand painted silk fabric
400 mm h x 200 mm w