Begun in 1995, John Nixon’s EPW: Silver developed over the following decade and a half as a sustained exploration of the monochrome, materiality and light. In Nixon’s words, ‘silver is opaque and reflective, a non-colour in the sense that we know colours to be’. Inspired by sunlight playing across silver-painted industrial rooftops, these paintings situate Nixon within an orbit of modernist experiment—Constructivism, Minimalism, the ZERO group and Fontana’s Spatialism. From tactile effects on rough hessian to smoother applications on MDF and canvas, their glimmering surfaces might evoke the infinity of the cosmos or the flash of sunlight on snow, while conveying above all the pure force of abstraction.
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Silver Monochrome with Circles, 2005 enamel paint on MDF and on hardboard discs
600 x 450 mm
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Silver Monochrome, 2005 enamel paint on wood and dowel on MDF
600 x 900 mm
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Silver Monochrome (Zurich-Melbourne), 2006-2008 enamel paint, coins, bottle tops, washers, grit on oriented strand board (OSB)
450 x 600 mm
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Silver Monochrome with Bottle Tops enamel paint and bottle tops on Masonite with wooden bracing
355 x 280 mm
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Silver Monochrome (Briar Hill), 2004 enamel paint on hessian on plywood 900 x 600 mm
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Silver Monochrome with White Stripes, 2004 enamel paint on MDF
910 x 610 mm
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Silver Monochrome (Zurich-Melbourne), 2006-2008 enamel paint, coins, bottle tops, washers, metal tacks and broken glass on OSB
450 x 600 mm
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Silver Monochrome, 2005 enamel paint on tile with wooden bracing
300 x 300 mm